Henri Cartier-Bresson (August 22, 1908 – August 3 2004) was a French photographer. He was ordinarily considered a unquestioned master of candid photography using the microscopic-format 35mm rangefinder camera.

Cartier-Bresson was considered by virtually all to become a father of photojournalism. He solely utilized a Leica 35 mm range finder cameras equipped using normal 50mm lenses or now and then the telephotograph for landscapes. He would use at times a camera's chrome person taped black to produce it less blatant. He was one of a number 1 lensman to shoot in a 35mm format & helped to have the photojournalistic "street photography" style that influenced generations of photographers to came. Kodak's Plus-X and Tri-X films and the sharpness of Leica lenses allowed documentary photographers work almost by stealth, to capture the events that surrounded them. Lensman were there are no hanker attached by the immense click camera, or even an intrusive flash player gun & bulbs. These lensman operated by having what Henri known as ''"the velvet hand...the hawk's eye." Henri never photographed by having the photoflash. He said: "Impolite...like coming to a concert with a pistol in your hand."'' He believed around composing his pic inside his camera & non in the darkroom. His showcased this belief by getting his pic become printed at good-frame & all unhampered any manipulation.

Henri is yearn repute one of a art globe's virtually all retiring personalities. He disliked publicity & exhibited a savage shyness since his times within hiding from either the Nazis when you took World War II. He dismissed people using a term "art" to his pictures. He felt that it were upright gut responses to moments he happened in.

"The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression...In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson

Childhood
Henri Cartier-Bresson was natural withinside 1908 in Chanteloup-en-Brie, near Paris, France & was a oldest of 5 tykes. His personal was affluent. His father was the textile manufacturer, world health organization liked to sketch within his spare period; at in one case about each French sewing kit was stocked Cartier-Bresson thread. In his mother's side were cloth merchandiser & property owner within Normandy, in which he spent a share of his childhood. a Cartier-Bresson personal sleep in a grand bourgeois front yard touching the Europe Bridge. It provided him by owning the backing to grow his interests inside photography around a further independent manner than numbers of of his coeval. He owned the Pack Brownie as the son, utilizing it for ingesting holiday shot, & late experimented using a Trey x Quatern see camera. He was raised inside traditional French bourgeois fashion. He wwhen needed to location his parents as "vous", like than a familiar "tu". His father assumed that Henri would require higher a personal business, however Henri was willful & was "strongly appalled" by working for the personal business.

The early years
Henri was educated inside Paris. He attended the École Fénelon, a Catholic school. Henri was introduced to the sense of oil painting by his Uncle Louis, the talented painter. ''"Painting has been my obsession from the time that my 'mythical father', my father's brother, led me into his studio during the Christmas holidays in 1913, when I was five years old. There I lived in the atmosphere of painting; I inhaled the canvases."'' Uncle Louis taught him painting for the short when. Nonetheless, Uncle Louis was flushed when you took World War I.

Around 1927, at a age of Xix, he entered a personal art school & the Paris studio of the Cubist & sculptor André Lhote, the Lhote Academy (in the Rue 500'Odessa in the Montparnasse district). Lhote's ambition was to unify a Cubistic's approach to reality by having authoritative artistic forms. Lhote tried to hyperlink a French authoritative tradition of Poussin & David to Modernism. Henri as well exposed painting sustaining society limner Jacques Emile Blanche. When painting, Cartier-Bresson understand Fyodor Dostoevsky, Arthur Schopenhauer, Arthur Rimbaud, Friedrich Nietzsche, Stéphane Mallarmé, Sigmund Freud, Marcel Proust, James Joyce, Georg Wilhelm Friedrich Hegel, Friedrich Engels and Karl Marx. Lhote took his pupils to the Louvre Museum to survey definitive creative person & to Parisian galleries to study contemporary art. Henri's interest around modern art was combined using an admiration for the works of the Renaissance—of masterpieces from either Jan van Eyck, Paolo Uccello, Masaccio and Piero della Francesca. Henri typically regarded Lhote when his teacher of photography while forgoing the camera.

Bit by bit, Henri began to sense pinching by owning Lhote's "rule-laden" approach to art. Henri's rigorous theoretical step by step videos would late serve him to look at & resolve problems of artistic form & composition within photography. At a instance, schools of photographic realism were founded throughout Europe. Apiece school got the differing construct in how else photography should produce. A photography revolution got begun, "Crush tradition! Photograph things as they are!" the Surrealist movement founded inside 1924 was a large driver of this vary around approach. When however researching at Lhote's studio, Henri began socializing by using a Surrealists at a Café Cyrano, in the Place Blanche. He met the total of the movement's leading protagonists. Henri was particularly drawn to a Surrealist movement of linking a subconscious mind & the quick to their function. Peter Galassi, within his book, Henri Cartier-Bresson, A Early Act, explains: "The Surrealists approached photography in the same way that Aragon and Breton...approached the street: with a voracious appetite for the usual and unusual...The Surrealists recognized in plain photographic fact an essential quality that had been excluded from prior theories of photographic realism. They saw that ordinary photographs, especially when uprooted from their practical functions, contain a wealth of unintended, unpredictable meanings." Henri matured artistically in that tempestuous ethnic & political environment. He was caring of the construct & theories mentioned however may not locate an outlet of expressing this imaginatively inside his paintings. He was super frustrated using his experiments & after destroyed a majority of his early works.

From either 1928 to 1929, Cartier-Bresson attended Cambridge University studying English art & literature and became bilingual. He served a year of compulsory service in the French Army. Within 1930, he was served his compulsory service in the French Army. He was stationed at Le Bourget, touching Paris. He remembered, "And I had quite a hard time of it, too, because I was toting Joyce under my arm and a Lebel rifle on my shoulder."

Around 1931, it used to be that away from a Army & fallowing getting reading Joseph Conrad's Heart of Darkness, he sought adventure on the Ivory Coast (French colonial Africa). Henri wrote, ''"I left Lhote's studio because I did not want to enter into that systematic spirit. I wanted to be myself. To paint and to change the world counted for more than everything in my life."'' He survived on the Ivory Coast by shooting game & selling it to local villagers. From either hunting, he learned methods that he would late utilise around his photography techniques. It was there on the Ivory Coast that he contracted blackwater fever & most died. He was and so sick that he sent videos for his have funeral. Spell however febrile, he wrote the mailing-card to his granddad, request that he become buried within Normandy, at the edge of the Eawy outdoors, sustaining Debussy's String Quartet to exist as played at a funeral. An uncle wrote back, "Your grandfather finds all that too expensive. It would be preferable that you return first."

Henri brought along the Brownie box camera to a Ivory Coast, but virtually all of his film did non subsist the tropics. Merely 7 exposure survived. He known as his act on the Brownie "a quick way of drawing intuitively." Once Henri returned to France, he deepened his relationship using a Surrealists.

Henri was recuperating within Marseilles in 1931. He became elysian by the exposure shot within 1931 by Hungarian photojournalist Martin Munkacsi showing three naked immature African boys heading into a breaker of Lake Tanganyika and was caught in touching-silhouette. Munkacsi's photo, coroneted, 3 Boys at Flow of any stream Tanganyika, captured a freedom, grace & spontaneousness of their movement & their joy at existence alive. Henri said, ''"The only thing which completely was an amazement to me and brought me to photography was the work of Munkacsi. When I saw the photograph of Munkacsi of the black kids running in a wave I couldn't believe such a thing could be caught with the camera. I said damn it, I took my camera and went out into the street." A exposure inspired him to put down his paint-brush & to require higher photography seriously. Henri acquired the Leica camerthe with a 50mm lens within Marseilles. This camera would accompany him for numerous years. He described a Leica as an extension of his eye. a namelessness it gave him withinside a crowd or even when you took an intimate moment was requirement in overcoming the formal & grotesque behavior of victims world health organization were caring of existence photographed. A Leica opened higher recently possibilities withinside photography — a ability to capture the world in its actual state of movement & transformation. He said, "I prowled the streets all day, feeling very strung-up and ready to pounce, ready to 'trap' life." Restless, he photographed within Berlin, Warsaw, Prague, Budapest and Madrid. He experienced his number one photograph exhibition withwithin Madrid in 1933. He spent 1934 inside Mexico, where he shared an exhibition sustaining Manuel Alvarez Bravo. At a beginning, he did non photograph very much within his native France. It would become years prior to he photographed there extensively.

Within 1934 Henri met the immature Polish intellect, lensman known as David Szymin. Szymin was known as "Chim" because his title was hard to pronounce. Afterwards Szymin changed his title to David Seymour (1911–1956). Henri & Chim experienced good deal around green unfeeling. Soon, Chim introduced Henri to the Hungarian lensman known as André Friedmann, world health organization late changed his title to Robert Capa (1913–1954). Henri shared the studio in the early Thirties by using Chim & Capa. Capa mentored & well-advised Henri, "Don't keep the label of a surrealist photographer. Be a photojournalist. If not you will fall into mannerism. Keep surrealism in your little heart, my dear. Don't fidget. Get moving!"''

The middle years
Henri come to America first around 1935. He was invited to exhibit his work on Up to date York's Julien Levy Gallery (where he shared display space by having Walker Evans). He was approached by Carmel Snow of ''Harper's Bazaar, who gave him an assignment to do fashion photography. He fared ill at this assignment for he experienced there is no idea training interact & direct a system. Notwithstanding, Snow was the foremost U.s. editor to publish his photo around a magazine. When inside Just released York, he met lensman Paul Strand, who did cinematographic operate on the Depression-era documentary film, A Plough That Broke a Plains''. Whenever he returned to France, Henri applied for the job using famous French director Jean Renoir. He worked as an actor within Renoir's 1936 film Un Parti delaware Campagne (The Day in the United states), too in the 1939 La Règle du Jeu (the System of the Game, Henri plays a butler.). He was 2nd supporter inside La Règle du Jeu. Renoir mass produced him work, therefore he may realize what it felt rather on the other side of the camera. Henri likewise helped Renoir wash the film for the Communist person on the 200 families world health organization ran France including his have! In a period of the Spanish civil war, he co-directed an anti-fascist film with Herbert Kline. This film promoted a Republican medical services.

Henri was foremost published as a photojournalist within 1937 whilst he was assigned to handle a investiture of King George VI, for the French weekly Regards. He focused on the newly monarch's adoring cases lining a London streets, & took there are no pictures of the king. A incidental credit for his photo published around Regards, understand "Cartier". He was hesitant all about applying his to the full cognomen. Around 1937, Henri married Javanese dancer, Ratna Mohini. It experienced install their zero in the for-floor servants' flat at Nineteen, Rue Danielle Casanova. It was the big studio by using the little sleeping room & kitchen & the bathroom in which Henri it used to be that developed his films. Between 1937 & 1939 Henri was a lensman for the French Communist's evening paper, Ce Soir. Henri (along by owning Chim & Capa) was a collectivist, however he did non join the French Communist person. Henri joined a French Army as a Corporal in the Film & Pic unit while World War II broke out in September 1939. When you took a Battle of France, in June 1940 at St. Dié inside a Vosges Mountains & spent 35 months in prisoner-of-war camps & worked as a forced labourer under the Nazis. Based on data from Henri, he was forced to perform "thirty-two different kinds of hard manual labor." He worked "as slowly and as poorly as possible." He tried to escape twice from either a prison camp & failed each days. He was punished by solitary. His third escape was successful. He hid within the domestic in Touraine before getting treasonably papers that allowed him to travel inside France. He worked for a Underground, aiding more escapees & working secretly sustaining more lensman to handle a Occupation and so, the Liberation of France. Around 1943, he turn up his dear Leica camera, which he got buried around farmland touching Vosges in 1940. He continued photographing throughout Globe War II, working by having a underground photographic unit recording a Nazi occupation & a liberation. Within 1944-45 (per instance of the cease-fire), he was asked per U.s. Professional of War References to produce the documental, Le Retour (A Go to) all about giving French captive & displaced souls.

Towards a prevent of the War, hearsay experienced reached Usa that Henri experienced been flushed. Henri's film inside giving war refugees, (freed in a United States in 1947) spurred the retrospective of his work on the Museum of Modern Art (MoMA). the MoMA got begun to develop a "posthumous" indicate for him. Within 1946 while it learned that Henri was however alive, he volunteered to attend Up to date York to help using a preparation of this exhibition. A indicate processed its debut around 1947. Together by owning this indicate, a MoMA as well published a number one book of his function, A Exposure of Henri Cartier-Bresson, using texts by Lincoln Kirstein and Beaumont Newhall.

The formation of Magnum
In the spring of 1947, Henri, along sustaining Robert Capa, David "Chim" Seymour, Bill Vandivert, George Rodger became founders of Magnum Photo. Magnum was a inspiration of Robert Capa. Magnum Photo was to become the cooperative picture professional. A team got decided to stock split pic assignments among a members. Rodger, world health organization got quit Life Magazine in London after covering a World War II, would handle Africa & the Middle East. Chim, world health organization spoke virtually all European languages, would act within Europe. Henri would exist as assigned to India & China. Vandivert, world health organization got likewise left Life Magazine, would act within America, & Capa would operate anywhere that experienced an assignment. A Paris professional was managed by Maria Eisner, formally of Alliance Photo. A Just released York professional was managed by Vandervert's married woman, Rita Vandivert. Rita became Magnum's number one president. Magnum's purpose was to "feel the pulse" of the days.

A bit of of Magnum's 1st projects were Population Survive Everywhere, Youth of the Globe, Women of the Globe & A Little one Generation. Magnum aimed to utilize photography in the service of humanity, rendering birth to the conception. Magnum provided a select few of the virtually all stunning & popular images of this time period.

The Decisive Moment
where he documented a independence of the united states from either the Dutch.

Around 1952 he published his book, A Decisive Moment. a book featured a portfolio of 126 exposure from either a East & the West. It as well featured the book handle drawn by Henri Matisse. Henri's 4,500-word philosophic prolusion was in which a term Decisive Moment was innate. He foremost wrote it inside French, ingesting his text from either a 17th-century Cardinal de Retz: ''"Il n'y a rien dans ce monde qui n'ait un moment decisif." This translates to "There is nothing in this world that does not have a decisive moment." Henri applied this to his photography style. Henri said: "To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression." Tériade, a Greek-born French publisher whom Henri idolized, gave the book its French title, Images à la sauvette, which can be loosely translated when "Shooting on the run." Western publisher, Dick Simon of Simon & Schuster came up with the English title, The Decisive Moment''. Margot Shore, Magnum's Paris bureau chief did a English translation of Henri's prolusion.

"Photography is not like painting," he told The Washington Post in 1957. "There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera." "That is the moment the photographer is creative," he said. "Oop! The Moment! Once you miss it, it is gone forever." Henri held his number 1 exhibition around France at a Pavillon de Marsan in the Louvre Museum in 1955.

The later years
Henri's photography got taken him to numerous stores on the world – China, Mexico, Canada, the United States, India, Japan, Soviet Union, and several more countries. Cartier-Bresson became a foremost American lensman to photograph 'freely' in the post-war Soviet Union. Within 1968 he began to turn away from photography & followed his passion for drawing & painting. Henri left Magnum around 1966 to concentrate on portraiture & landscapes. Inside 1967 Henri and his 1st married woman Ratna "Elie" were divorced. Henri married lensman Martine Franck, who is xxx years immature than him, inside 1970. Martine & Henri adopted a trifle girl known as Mélanie within January 1973.

Henri retired from either photography in the early Seventies to link to to drawing & painting. When the life-time of getting his artistic vision across photography, he said, "All I care about these days is painting—photography has never been more than a way into painting, a sort of instant drawing." He held his number 1 exhibition of drawings at a Carlton Gallery inside New York in 1975.

A Henri Cartier-Bresson Foundation was created by Cartier-Bresson & his married woman & girl within 2002 to preserve and part his bequest.

Death
Cartier-Bresson died around Céreste (Alpes-de-Haute-Provence, France) on August Three, 2004 at the age of 95. There are no are causal agents for of demise was provided. He is survived by his married woman & fellow lensman Martine Franck, & his girl Mélanie.

Cartier-Bresson quotations
Above tons, We craved to attach a whole essence, in the confines of 1 only photo, of occasionally situation that was in the run of unrolling itself prior to the eyes.

''A exposure itself doesn't interest pine tree state. We desire merely to capture the microscopic section of reality.

Actually, I personally'm non altogether that interested in the subject of photography. Another time a picture is in the pack, We'm non whole that interested inside what happens next. Hunters, when completely, aren't cooks.

A virtually all hard tool for pine tree state occurs as portrait. Professional people keep around to try & put your camerthe between a skin of a human & his shirt.

I personally lensman treat inside items which are then high-pressure vanishing, & after it use vanished no contrivance olympic games potty produce the babies are back once more. You just can't have & print the memory.

a originative work lives however a brief moment, a lightning instant of give-&-choose, upright hanker plenty for wise shoppers to level the camera & to trap the momentaneous prey for your little pack.

To photograph is to hang on to of these's breath, whilst a lot faculties converge to capture momentary reality. It's at that accurate moment that mastering an image becomes a great physical & rational joy.

Inside photography, your family've had to become promptly, promptly, quickly, quickly...Such as an animate being & the prey.''

Notable subjects
Albert Camus Coco Chanel Marcel Duchamp William Faulkner Mohandas Gandhi John Huston Martin Luther King, Jr Henri Matisse Marilyn Monroe Richard Nixon Robert Oppenheimer Jean-Paul Sartre Igor Stravinsky

Awards
Cartier-Bresson is the recipient of numerous of prizes, awards & honorary doctor's degree. The unfair list of his awards:

1948 Overseas Click Club of America Award 1953 The A.S.M.P. Award 1954 Overseas Click Club of America Award 1959 A Prix first state la Société Française diamond state Photographie 1960 Overseas Click Club of United states of america Award 1964 Overseas Click Club of Usa Award 1975 A Culture Prize, Deutsche Gesellschaft für Photographie 1981 Grand Prix National delaware la Photographie 1982 Hasselblad Award

Exhibitions
Public collections of Henri Cartier-Bresson's works
Bibliothèque Nationale de France, Paris, France De Menil Collection, Houston, Texas, USA University of Art, Osaka, Japan Victoria and Albert Museum, London, United Kingdom Maison Européenne de la Photographie, Paris, France Musée Carnavalet, Paris, France Museum of Modern Art, Just released York, USA A Art Institute of Chicago, Illinois, USA A Getty Museum, Los Angeles, California, USA Institute for Contemporary Photography, Just released York, USA A Philadelphia Art Institute, Philadelphia, Pennsylvannia, USA A Museum of Art, Houston, USA Kahitsukan Kyoto Museum of Contemporary Art, Kyoto, Japan Museum of Modern Art, Tel Aviv, Israel Stockholm Modern Museet, Sweden

Exhibitions of Henri Cartier-Bresson's works
2003–2005 Retrospective, Bibliothèque Nationale, Paris, France, La Caixa, Barcelona, Spain; Martin-Gropius-Bau, Berlin, Germany; Museum of Modern Art, Rome, Italy; Museum of Modern Art, Edinburgh, U.K.; Museum of Modern Art, Future York, U.S.The. 2004 Museum Ludwig, Cologne 2004 Baukunst Galerie, Cologne 2004 Martin-Gropius-Bau, Berlin 1998–1999 Photographien und Zeichnungen - Baukunst Galerie, Cologne, Germany 1998 Line by Line – Royal College of Art, London, U.K. 1998 Kunsthaus Zürich, Zurich, Switzerland 1998 Galerie Beyeler, Basel, Switzerland 1998 Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany 1998 Tete à Tete – National Portrait Gallery, London, U.K. 1998 Galerie Löhrl, Mönchengladbach, Germany 1998 Howard Greenberggh Gallery, Future York, U.S.The. 1997 De Européenne – Maison Européenne delaware la Photographie, Paris, France 1997 Henri Cartier-Bresson, dessins – Musée des Beaux-Arts, Montreal, Canada 1974–1997 Galerie Claude Bernard, Paris, France 1996 Henri Cartier-Bresson: Pen brush & Cameras – A Minneapolis Institute of Arts, U.S.The. 1995 Dessins e Hommage à Henri Cartier-Bresson – CRAG Centre Régional d’Art Contemporain Valence, Drome, France 1994 Dessins e première exposure – La Caridad, Barcelona, Spain 1993 Pic Dessin – Dessin Photograph, Arles, France 1992 Musée diamond state Noyers-tyre-Serein, France 1992 Palazzo San Vitale, Parma, Italy 1992 Centro diamond state Exposiciones, Saragossa & Logrono, Spain 1992 L'Amérique – FNAC, Paris, France 1992 Hommage à Henri Cartier-Bresson – International Center of Photography, Up to date York, U.S.The. 1991 Taipei Fine Arts Museum, Taiwan (drawings & pic) 1990 Galerie Arnold Herstand, Up to date York, U.S.The. 1989 Mannheimer Kunstverein, Mannheim, Germany (drawings & photography) 1989 Fondation Pierre Gianadda, Martigny, Switzerl& (drawings and photo) 1989 Printemps Ginza, Tokyo, Japan 1989 Chapelle first state l'École des Beaux-Arts , Paris, France 1988 Palais Lichtenstein, Vienna, Austria 1988 Salzburger Landessammlung, Austria 1988 Institute français, Athen, Greece 1987 Museum of Modern Art, Oxford, U.K. (drawings & photography) 1987 Early Photographs – Museum of Modern Art, New York, U.S.The. 1986 L'Institute français diamond state Stockholm 1986 Tor Vergata University, Rome, Italy 1986 Pavillon five hundred'Arte contemporanea, Milan, Italy 1984–1985 Paris à vue d’oil – Musée Carnavalet, Paris, France 1985 Musée d'Arte moderno diamond state Maxico, Mexico 1985 Henri Cartier.Bresson nut Indelaware – Centre National delaware la Photographie, Palais de Tokyo, Paris, France 1984 Osaka University of Arts, Japan 1983 Printemps Ginza – Tokyo, Japan 1982 Hommage the Henri Cartier-Bresson – Centre National first state la Photographie, Palais diamond state Tokyo, Paris, France 1981 Musée 500'Art moderne diamond state la Villa diamond state Paris, France 1981 Retrospective – Musée d'Art de la Ville nut France 1980 Portraits – Galerie Eric Franck, Geneve, Switzerland 1975 Carlton Gallery, Just released York, U.S.The, 1975 Galerie Bischofberger, Zurich, Switzerland 1974 Exhibition all about a USSR, International Center of Photography, Future York, U.S.The. 1970 En France – Grande Palais, Paris. Late in the U.S.The., USSR, Australia & Japan 1965–1967 2d retrospective, Tokyo, Japan, Musée des Arts décoratifs, Paris, France, Future York, U.S.The., London, U.K., Amsterdam, Netherlands, Rome, Italy, Zurich, Switzerl&, Cologne, Germany and more cities. 1964 Philipps Collection, Washington 1963 Photokina, Cologne, Germany 1956 Photokina, Cologne, Germany 1955 Retrospektive – Musée des Arts décoratifs, Paris, France 1952 Institute of Contemporary Art, London, U.K. 1947 Museum of Modern Art, Future York, U.S.The. 1934 Palacio delaware Bellas Artes, Mexico (using Manuel Alvarez Bravo) 1933 Julien Levy Gallery, Just released York, U.S.The. 1933 Cercle Atheneo, Madrid, Spain

Filmography

Films directed by Henri Cartier-Bresson
Henri Cartier-Bresson was 2nd adjunct director to Jean Renoir around 1936 for La vie eastern standard time à nous and Une partie first state campagne, & around 1939 for La Règle du Jeu.

1937 Victoire delaware la vie. Documentary film on the hospitals of Republican Spain: Heading period: 49 transactions. Black & white. 1938. L’Espagne Vivra. Documentary film on a Spanish Civil War & the post-war cycle. Running off period: 43 transactions & 32 seconds. Black & white. 1944–45 Le Retour. Documentary film in prisoners of war & political detainee. Running off period: 32 transactions & 37 seconds. Black & white. 1969–70 Impressions of California. Running off instance: Xxiii proceedings & Twenty seconds. Color. 1969–70 Southern Exposures. Running off period: Twenty-two transactions & Twenty-five seconds. Color.

Films compiled from photographs by Henri Cartier-Bresson
1956 The Travers lupus erythematosus Monde avec Henri Cartier-Bresson. Directed by Jean-Marie Drot & Henri Cartier-Bresson. Running off instance: Twenty-one proceedings. Black & white. 1963 Midlands at Play & at Act. By ABC Television, London. Heading period : Nineteen transactions. Black & white. 1963–65 5 fifteen-microscopic films in Germany for the Süddeutscher Rundfunk, Munich. 1967 Flagrants délits. Directed by Robert Delpire. Original music score by Diego Masson. Delpire production, Paris. Heading period: Xxii transactions. Black & white. 1969 Québec vu par Cartier-Bresson / Le Québec when seen by Cartier-Bresson. Directed by Wolff Kœnig. By a American Film Board. Going period: Ten proceedings. Black & white. 1970 Images de France. 1991 Contre fifty'oubli : Lettre à Mamadou Bâ, Mauritanie. Short film directed by Martine Franck for Amnesty International. Redaction : Roger Ikhlef. Running off instance: Trine transactions. Black & white. 1992 Henri Cartier-Bresson dessins et pic. Director: Annick Alexandre. Short film by FR3 Dijon, comment per creative person. Going instance: Ii proceedings & 33 seconds. Color. 1997 Série "100 photos du siècle": 50'Araignée 500'affaire: broadcast by Arte. By Capa Télévision. Going instance: Sextet transactions & Xv seconds. Color.

Bibliography
1947 A Photo of Henri Cartier-Bresson. Text by Lincoln Kirstein, Museum of Modern Art, New York.

1952 A Decisive Moment. Texts & pic by Henri Cartier-Bresson. Handle by Henri Matisse. Simon & Schuster, New York. French edition

1954 Les Danses à Bali. Texts by Antonin Artaud in Balinese theater & comment by Béryl first state Zoete Delpire, Paris. German edition

1955 A Europeans. Text & exposure by Henri Cartier-Bresson. Handle by Joan Miro. Simon & Schuster, New York. French edition

1955 Population of Moscow. Thames and Hudson, London. French, German & Italian editions

1956 China within Transition. Thames and Hudson, London. French, German & Italian editions

1958 Henri Cartier-Bresson: Fotografie. Text by Anna Farova. Statni nakladatelstvi krasné, Prague & Bratislava.

1963 Photographs by Henri Cartier-Bresson. Grossman Publisher, New York. French, English, Japanese & Swiss editions

1964 China. Photo & notes inside 15 months spent in China. Text by Barbara Miller. Bantam Books, New York. French edition

1968 The World of HCB. Viking Press, New York. French, German & Swiss editions

1969 Human & Machine. Licenced by IBM. French, German, Italian & Spanish editions

1970 France. Text by François Nourissier. Thames and Hudson, London. French & German editions

1972 A Face of Asia. Introduction by Robert Shaplen. Promulgated by John Weatherhill (Just released York & Tokyo) & Orientations Ltd. (Hong Kong). French edition

1973 Astir Russia. Thames and Hudson, London. French, German & Swiss editions

1976 Henri Cartier-Bresson. Texts by Henri Cartier-Bresson. History of Photography Series. History of Photography Series. French, German, Italian, Japanese & Italian editions

1979 Henri Cartier-Bresson Lensman. Text by Yves Bonnefoy. Bulfinch, Future York. French, English, German, Japanese & Italian editions

1983 Henri Cartier-Bresson. Ritratti. Texts by André Pieyre first state Mandiargues & Ferdinando Scianna. Coll. " I Grandi Fotografi ". Gruppo Editoriale Fabbri, Milan. English & Spanish editions

1985 Henri Cartier-Bresson nut Inde. Introduction diamonfive hundred state Satyajit Ray, photographies et notes d'Henri Cartier-Bresson. Texte five hundred'Yves Véquaud. Centre National diamond state la Photographie, Paris. Editions anglaise

1985 Photoportraits. Texts by André Pieyre first state Mandiargues. Thames and Hudson, London. French & German editions

1987 Henri Cartier-Bresson. A Early Act. Texts by Peter Galassi. Museum of Modern Art, New York. French edition

1987 Henri Cartier-Bresson within India. Introduction by Satyajit Ray, pic & notes by Henri Cartier-Bresson, texts by Yves Véquaud. Thames and Hudson, London. French edition

1989 L'Autre Chine. Introduction by Robert Guillain. Collection Exposure Notes. Centre National first state la Photographie, Paris

1989 Line by Line. Henri Cartier-Bresson’s drawings. Introduction by Jean Clair & John Russell. Thames and Hudson, London. French & German editions

1991 America within Passing. Introduction by Gilles Mora. Bulfinch, Just released York. French, English, German, Italian, Portuguese & Danish editions

1991 Alberto Giacometti photographié par Henri Cartier-Bresson. Texts by Henri Cartier-Bresson & Louis Clayeux. Franco Sciardelli, Milan

1994 The propos diamond state Paris. Texts by Véra Feyder & André Pieyre diamond state Mandiargues. Thames and Hudson, London. French, German & Japanese editions

1994 Double regard. Drawings & exposure. Texts by Jean Leymarie. Amiens : Le Nyctalope. French & English editions

1994 Mexican Notebooks 1934–1964. Text by Carlos Fuentes. Thames and Hudson, London. French, Italian, & German editions

1994 L'Art sans art. Texte first state Jean-Pierre Montier. Editions Flammarion, Paris. Editions allemande sauce, anglaise et italienne

1996 L'Imaginaire d'après nature and severity. Textes first state Henri Cartier-Bresson. Fata Morgana, Paris. Editions allemande sauce et américaine

1997 Europeans. Texts by Jean Clair. Thames and Hudson, London. French, German, Italian & Portuguese editions

1998 Tête à tête. Texts by Ernst H. Gombrich. Thames & Hudson, London. French,German, Italian & Portuguese editions

1999 A Mind's Eye. Texts by Henri Cartier-Bresson. Aperture, Just released York. French & German editions

2001 Landscape Townscape. Texts by Erik Orsenna & Gérard Macé. Thames and Hudson, London. French, German & Italian editions

2003 A Human a Image & the World. Texts by Philippe Arbaizar, Jean Clair, Claude Cookman, Robert Delpire, Jean Leymarie, Jean-Noel Jeanneney, Serge Toubiana. Thames and Hudson, London 2003. German, French, Korean, Italian & Spanish editions.